Turn the CUTOFF knob to zero to close the filter, and then increase the modulation amount of A to CUTOFF. If you drag up and down on these areas, you can choose the amount and direction of modulation applied to each setting. Click on A at the top of the module, and you’ll notice gray rounded rectangles appear next to each parameter. To make use of that envelope, we need to route it as modulation. (You could assign a second envelope if you wanted to get more control.) The combination of the envelope adjusting both the amplitude and filter gives you a really aggressive, punchy sound. Connect the Envelope’s ENV output to Filter input A. We’re using the Envelope now as a VCA, but we can also route the envelope signal from module. Reroute the audio output from Envelope OUT into the Filter IN and then again out to LEVEL S. It’s both a versatile, analog-sounding multimode filter and a distortion/shaper module. Now let’s really get into what makes this library special. Click some of the circles to toggle individual steps.Īdjust the ADSR envelope, and we already have a basic bassline going here. It avoids having to use two modules - one module to generate the envelope, and another module to adjust the volume of the sound.Ĭonnect the Util Clock’s GATE output to the Gate Sequencer’s GATE input and hit PLAY on the transport of REAKTOR (or your DAW) to begin a sequence. If you route a signal like the oscillator into the Envelope module, the output labeled OUT will pass that signal. That is, if you use the ENV output, you get a control signal – an envelope you can use to control something else. The Envelope doubles as a VCA (Voltage Controlled Amplifier), meaning it can both generate an envelope shape and can modify the amplitude of an audio signal. This single module contains many complex oscillators and waveshapers all in one, even in the “mini” version.Īdd Sequencers > Gate Sequencer and Modulation > Envelope. (You can also drag left to right from just outside the circle to adjust phase.) Turn up WARP and try the different tools for waveshaping/folding, sync, and other wave techniques. Turn up the COARSE knob, then drag on the wave shape to warp and bend it. These oscillators pack some seriously aggressive sounds. Part one: Make a versatile, edgy synth patch for free It’s open source but requires the full REAKTOR 6 download or clone the GitHub archive and you’ll get a REAKTOR ensemble file to open. It’s a playful, low-level “live coding” environment built natively in REAKTOR Core. Licenses for the Toybox Free Pack, for instance, also make use of Native Access.įor more advanced users, LiveCore is another tool from Toybox creator David Alexander, working together with Jack Armitage (aka PC Music artist Lil Data). Be sure to read the installation instructions inside each archive. From there, feel free to add on anything marked “free” or “demo” to get started. Start with Toybox Free Pack – it’s the prerequisite to everything else, and it runs in REAKTOR Player even without a REAKTOR 6 license. ![]() Sign up and receive a license to install via Native Access. But if you want to just get started, try the free KOMPLETE START, which includes both REAKTOR 6 PLAYER and BLOCKS BASE. So, let’s take a look, as there’s plenty here for beginners, advanced users, and folks in between.Ī full copy of REAKTOR 6 is the ideal, of course. It’s all a great gateway to futuristic and experimental sounds and it’s a ton of fun. ![]() You can even hop between patching and live coding. When you are ready to go deeper, the full Reaktor 6 – and Toybox’s Community Edition and relatively inexpensive add-ons – open still more sound, interaction, and connectivity possibilities. You can even build patches using the free REAKTOR 6 PLAYER and the Toybox Free Pack. What you might not know is, you can add on dozens to hundreds more modules without spending any money at all, including using the free, community, and demo modules in the Toybox series. REAKTOR BLOCKS gives you access to an array of software modules that can sound and function like hardware Eurorack devices (or even work in combination with them) – this much you might know. It’s your chance to dive in, paint outside the lines, twist and mangle sounds, and get into the joy of modular. ![]() It’s called “Toybox” for a reason – for all the deep and expressive tools available, patching is all about play.
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